Pyotr ilyich tchaikovsky tchaikovsky - herbert von karajan - the swan lake - ballet suite op.20 / the


Tchaikovsky's excitement with Swan Lake is evident from the speed with which he composed: commissioned in the spring of 1875, the piece was created within one full year. His letters to Sergei Taneyev from August 1875 indicate, however, that it was not only his excitement that compelled him to create it so quickly but his wish to finish it as soon as possible, so as to allow him to start on an opera. Respectively, he created scores of the first three numbers of the ballet, then the orchestration in the fall and winter, and was still struggling with the instrumentation in the spring. By April 1876, the work was complete. Tchaikovsky's mention of a draft suggests the presence of some sort of abstract but no such draft has ever been seen. Tchaikovsky wrote various letters to friends expressing his longstanding desire to work with this type of music, and his excitement concerning his current stimulating, albeit laborious task. [7]

To celebrate Tchaikovsky's birthday, the doodlers and I decided to collaborate with the San Francisco Ballet! This is the first time we used real people to pose for a doodle and, thanks to a group of well organized and talented dancers/staff, everything went swimmingly! A single day of photography was all we needed before I took a compilation of individual/pair photos and pieced them together to make our final logo. You can take a peek at some behind the scenes work on YouTube .

He became even more famous, and traveled to other countries in Europe and the United States to conduct his own music . But although he was hugely successful, he was still under the black cloud of depression.

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He had been commissioned to set to music a popular family story called 'The Nutcracker and the Mouse-King', a festive favourite which begins on Christmas Eve in the house of two young children, Clara and Fritz. The family is gathered around the Christmas tree. Soon, they welcome the arrival of Uncle Drosselmeyer, who conveniently happens to be a toymaker with some suitable gifts in tow. Over the course of the next ninety minutes, the story encompasses waltzing snowflakes, a handsome prince and some warring mice, as the toys come to life and give Clara and Fritz a Christmas they will never forget.

There is a wonderfully vivid, pictorial quality to Tchaikovsky’s colourful music. From the elegant Waltz of the Flowers to the thrilling Russian Dance, the score is a feast of wonderful melodies. Other favourites include the Dance of the Sugar Plum Fairies and the Dance of the Reed Flutes. Tchaikovsky had several reservations about it – not surprising, given the less than ecstatic response to some of his earlier works – but the composer evidently had nothing to fear - it has become a perennial Christmas favourite on stage, and the music is adored all year round, with bold new interpretations cropping up year after year.


Pyotr Ilyich Tchaikovsky Tchaikovsky - Herbert von Karajan - The Swan Lake - Ballet Suite Op.20 / The Sleeping Beauty - Ballet Suite Op.66Pyotr Ilyich Tchaikovsky Tchaikovsky - Herbert von Karajan - The Swan Lake - Ballet Suite Op.20 / The Sleeping Beauty - Ballet Suite Op.66Pyotr Ilyich Tchaikovsky Tchaikovsky - Herbert von Karajan - The Swan Lake - Ballet Suite Op.20 / The Sleeping Beauty - Ballet Suite Op.66Pyotr Ilyich Tchaikovsky Tchaikovsky - Herbert von Karajan - The Swan Lake - Ballet Suite Op.20 / The Sleeping Beauty - Ballet Suite Op.66

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